ნადირობა

მე მინდა გავაკეთო ბლოგი ნადირობაზე.

აღწერის ელექტრონული სტანდარტები საქართველოს ეროვნული მუზეუმისთვის

ილიას სახელმწიფო უნივერსიტეტი

ინფორმაციის მენეჯმენტის  სამაგისტრო პროგრამის პირველი სემესტრის სტუდენტი

მაია მეტრეველი

aRweris eleqtronuli standartebi

xelovnebis muzeumisaTvis

(VRA Cori 4.0, CCO, CDWA)

Tbilisi

2011

შეsavali

msoflio klasis muzeumebi emsaxureba samecniero kvlevebs, saganmanaTleblo da sazogadoebis STamagonebel saqmianobas. aris inovaciuri da mudmivad ganaxlebedi.aseve mniSvnelovan rols TamaSobs turizmis ganviTarebaSi. muzeumis yvela TanamSromeli unda iyos Tavisi saqmis profesionali, muzeumSi misul adamians maRal doneze unda emsaxurebodnen. mainteresebda ra xdeba am mxriv saqarTvelos muzeumebSi, risi SeTavazeba SeuZlia mas CvenTvis da ra formiT axerxebs amas.

kvlevis obieqtad avirCie saqarTvelos erovnuli muzeumi, ufro detaluri ganxilvisTvis ki Salva amiranaSvilis saxelobis xelovnebis muzeumi.

instituciis SefasebisaTvis gamoviyene Semdegi kriteriumebi: ra obieqtebs moicavs saqarTvelos erovnuli muzeumi, vin aris misi samizne jgufi, ra misia aqvs, rogor aris uzrunvelyofili wvdoma am obieqtebze da ramdenad pasuxobs samizne jgufis moTxovnebs.

kvlevis dasawyisSi movinaxule saiti  romelic Zalze mwiri aRmoCnda.  vewvie Salva amiranaSvilis saxelobis xelovnebis muzeums da vesaubre sazogadoebasTan urTierTobis samsaxuris ufross gia marsagiSvils. movinaxule saganZuri da gamofena “Seicani iaponia.”

 maqsimalurad Sevecade zemoTxsenebul sakiTxebze amomwuravad gameca pasuxi.   movipove informacia romelic CemTvis axli da mniSvnelovani aRmoCnda. yvela moZiebuli masala SeZlebisdagvarad movitane Tqvenamde winamdebare naSromis saxiT.  Cemi mcire kvlevis Sedegad aRmovaCine rom saqarTvelos erovnuli muzeumis nawili, Salva amiranaSvilis saxelobis xelovnebis muzeumi mdidari da mravalferovani eqspoziciebiT gamoirCeva. aq inaxeba rogorc qarTuli ise aRmosavleTis xalxTa xelovnebis nimuSebi, magram samwuxarod   muzeumi faqtiurad arafers akeTebs am informaciis gavrcelebisaTvis, sazogadoebis dainteresebisa da mozidvis mizniT. ar aqvs katalogi an raime sainformacio bukleti saidanac SegveZleba gavigoT Tu risi naxva SegviZlia muzeumSi an romel konkretul namuSevarze migviwvdeba xeli. muzeumis saitze mocemulia informacia mxolod istoriis mcire nawilze, erovnuli muzeumSi Semavali obieqtebis CamonaTvali, misamarTebi, da muSaobis grafiki, magram araferia naTqvami Tu ris naxvas gvTavazobs romelime konkretuli muzeumi an eqspozicia. eleqtronulad ar iZebneba arc erTi nimuSi romelsac xelovnebis muzeumi inaxavs. bileTebis SekveTa SeiZleba eleqtronulad magram samwuxarod informacia gamofenebis Sesaxeb ideba gvian da Sesabamisad es servisi mouxerxebelia.

erTi SexedviT wvdoma obieqtebze Tavisufalia. muzeumis muSaobis saaTebSi nebismier msurvels SeuZlia mivides da moinaxulos sasurveli eqspozicia, magram man Tu zustad ar icis risi naxva surs Zalian gauWirdeba muzeumis fondSi garkveva.

imisaTvis rom samizne jgufi ufro metad daainteresos da moizidos, saWiroa muzeumma meti informacia miawodos sazogadoebas, iTanamSromlos skolebTan, universitetebTan da sxva organizaciebTan. kargi iqneboda fondis aRwera, katalogizacia da sainformacio bukletebis gamoSveba. saabonento sistemis SemuSaveba. skolisa da profesor-mawsavlebelTaTvis saswavlo masalasTan mibmuli programebis Seqmna raTa maT moaxdinon momavali Taobis meti informirebuloba da daintereseba xelovnebiT, kulturiT, arqeologiiT aseve im namuSevrebiT romelsac muzeumi inaxavs.

ar SeiZleba muzeumi mxolod sacavis funqcias asrulebdes is mudmivad unda TanamSromlobdes sazogadoebasTan, sTavazobdes momxmarebels inovaciur proeqtebs, cdilobdes daainteresos da moizidos rac SeiZleba farTo auditoria

Tavdapirvelad aucilebelia muzeumis fondis aRwera da digitalizacia. rogorc viciT saqarTvelos erovnuli muzeumi aris muzeumebisa da saxl- muzeumebis gaerTianeba, amitom misi fondi Zalze mravalferovania. Aam fondis erTiani standartiT aRwera sakmaod rTulia da bevr dros, samuSaosa da finansebs moiTxovs. Aamitom Tavdapirvelad yuradRebas SevaCereb saxviTi xelovnebis galeriaze da iq daculi suraTebis (naxatebis) aRweraze.  

igive problema awuxebda msoflios sxvadasxva muzeumebsac, magram maT Cvengan gansxvavebiT amaze fiqri ufro adre daiwyes. bevri muSaobis Semdeg maT Seqmnes aRweris eleqtronuli standartebi da axla didi siamovnebiT uziareben TavianT gamocdilebas sxvebs.

jer kidev 1968 wels amerikis vizualuri xelovnebis akademiis(CAA) vizualuri resursebis kuratorebi awyobdnen Sexvedrebs da ganixilavdnen vizualuri resursebis aRwerisaTvis saWiro standartebis Seqmnas. maT Camoayalibes komiteti romelic izrunebda am sakiTxebze. Aam komitetma ufro mogvianebiT 1970 wels daiwyo saerTaSoriso aqtivobebi da aRiarebuli iqna rogorc “istoriisa da xelovnebis saerTaSoriso komiteti” (Comiti Internacional Art and Histori) .maTi sxdomebi daiwyo belognas 1979 wlis konferenciiT da gagrZelda TiTqmis oci weli.   maT SeurTda  samxreT-aRmosavluri xelovnebis akademia (the South Eastern Art Conference -SECA),  CrdiloeT amerikis xelovnebis biblioTekebis asociacia ( the Art Libraries Society of North America (ARLIS/NA), da centraluri amerikis xelovnebis akademiis asocicia(the Mid-America College Art Association (MACAA).isini mudmivad atarebdnen konferenciebs da ganixilavdnen vizualuri xelovnebis aRweris meTodebs. 1972 wels am jgufma daiwyo saxelosnoebis Seqmna da vizualuri xelovnebis nimuSebis Senaxvis, SekeTebisa da  momsaxurebis sxvadasxva variantebis ganxilva. isini ganixilavdnen xelovnebis nimuSebis aRweris sxvadasxva standartebs da iTvaliswinebdnen sxvadasxva  profesiuli sferos aspeqtebs. (igulisxmeba mag: fotografiis, mxatvrobis da xelovnebis sxva dargebis profesiuli aspeqtebi). Aam jgufma daiwyo gazeTebisa da Jurnalebis aqtiuri gamoSverba, yovelkvireuli biuletenebis beWvda romelic Seicavda informacias wevrobis Sesaxeb. male gadxa is cnobili da aRiarebuli rogorc “fotografiisa da vizualuri xelovnebis saerTaSoriso biuleteni”. (International Bulletin for Photographic Documentation of the Visual Arts.)

1982 wels am organizaciam Sewyvita lamis aTwliani araoficialuri moRvaweoba da gaformda rogorc oficialuri saerTaSoriso asociacia , ewoda “vizualuri resursebis asociacia” (VRA- Visual Resources Associacion) da moawyo pirveli oficialuri Sexvedra 1983 wlis TebervalSi.

1990 wels maT Seqmnes organizaciis oficialuri veb- gverdi www.vraweb.org romelic mudmivad TanamSromlobs xelovnebiT dainteresebul adamianebTan da jgufebTan, univesitetebTan kvleviT centrebTan, xelovnebis sxvadasxva dargis specialistebTan da IPR-menejerebTan. saitze ganTavsebulia xelovnebis nimuSebis aRweis ramdenime standarti da aRweris magaliTebi,aseve  XML sqemebi da bibliografiuli aRweris magaliTebi. Aam organizaciis wevrebis raodenoba TandaTan izrdeba. 2010 wlis monacemebiT Mmas aqvs cameti  saTao ofisi msoflios sxvadasxva qveyanaSi. VRA aerTianebs 800 wevrs. maTi umetesoba aris SeerTebuli Statebidan da kanadidan. maTi wevria israeli, meqsika da gaerTianebuli samefo. Asociaciis wevrebi arian xsxvadasxva profesiis adamianebi da organizaciebi. xelovnebaT mcodneebi, xelovnebis istorikosebi, fotografebi, arqiteqtorebi,msaxiobebi, mxatvrebi, dekoratorebi, dizainerebi, sxvadasxva dargis mecnierebi, informaciis menejerebi, informaciuli teqnikis specialistebi, fotoTekebi, video biblioTekebi, muzeumebi, filmebisa da fotos studiebi, arqiteqturuli firmebi,galeriebi, gamomcemlobebi, foto maRaziebi da sxva.  Ees asociacia  aris multi-disciplinaruli organizacia romlis mizania samacniero kvlevebSi daxmareba, xelovnebis nimuSebis aRweris standartebis SemuSaveba da maTi gaziareba biblioTekebisaTvis, saganmanaTleblo centrebisa da muzeumebisaTvis. is aviTarebs Ria saganmanaTleblo proeqtebs, vizualuri kulturis katalogizaciisa da klasifikaciis standartebs, inteleqtualuri sakuTrebis dacvis meqnizmebs, vizualuri kulturis dokumentaciis Seqmnis meTodebs, exmareba informaciis menejerebs am dokumentaciisa da kulturul sferoSi miRebuli gamocdilebis gaziarebaSi.

VRA-m Seqmna vizualuri xelovnebis aRweris saerTo standarti, romelic dafuZnda Dublin Core-is modelze. mas VRA Core standarti ewoda. is moicavda xelovnebis nimuSebisa da arqiteqturuli  aRwerilobis elementebis grZel sias. Mmisi pirveli varianti gamoqveynda  1996 wels, romelic gadaixeda da Sesworda 1998, 2002, 2004 da 2007 wlebSi. Sedegad miviReT e.w. 4.0 versia. 2010 wlis noemberSi markis ofisma da kongresiis biblioTekam daiwyo VRA-sTan mWidro TanamSromloba da VRA Core 4.0 standartis gaziareba.

imisaTvis rom ukeTesi warmodgena Segveqmnas am standartze  modiT detalurad ganvixiloT is.

vizualuri resursebis asociacia (gaerTianeba)

VRA- (Visual Resources Association) Core

vizualuri resursebis gaerTianeba uzrunvelyofs vizualuri kulturis anu  xelovnebis nimuSebisa da suraTebis kategoriebad aRweris organizebas, da maT dokumentacias(dokumentirebas). VRA Core-is 4.0 versia ganxorcielda 2007 wels. am versiaSi Sedis sami dokumenti: Sesavali(winasityvaoba), elementebis monaxazi, da elementebis aRwera Tavisi magaliTebiT. elementaruli aRwerilobis dokumentebi moicavs kategoriebis saxelebs, TiToeuls mohyveba gansazRvreba, informacia: atributebisa da qvedanayofebis Sesaxeb, rekomendaciebi marTvadi leqsikuri da standartizirebuli siebis gamoyenebis  Sesaxeb, rukebis (kartografiis) Seqmna VRA Core kategoriis wina versiis mixedviT, xelovnebis minuSebis aRweris kategoriebi (CDWA) da Dublin Core-is  elementebi.

VRA Core-is 4.0 XML sqema ganviTarda Core 4.0 sqemasTan erTad. dokumentSi elementebis aRweris magaliTebi moyvanilia XML sqemidan. is Sedgeba 19 sabaziso kategoriisagan.

1. namuSevari, koleqcia an suraTi- Canawerebi identificirdeba ise rogorc iyo Seqmnili namuSevari ( fizikuri, miznobrivi an SemTxveviTi), suraTisaTvis (namuSevris vizualuri surogati anu vizualurad Canacvlebuli surogati), koleqciisaTvis (namuSevrebis Tavmoyra da suraTebis Canawerebi).
2. agenti(warmomadgeneli) _ identificirdeba saxeli organizaciisa romelsac aqvs wvlili Setanili dizainSi, SeqmnaSi, namuSevris warmoebaSi an gamosaxvaSi (SeiZleba qondes adamianis saxeli, ojaxis saxeli, korporatiuli saxeli, kultura, roli, atributebi).

ufro meti TvalsaCinoebisaTvis ganvixiloT magaliTi, romelsac TviTon VRA-s organizacia gvTavazobs.

ixileT:http://www.vraweb.org/projects/vracore4/example026.html

nimuSis aRwera                                                              

Aagenti	jasper fransik krospei (amerikeli, mxatvari,1823-1900)
Kkulturuli konteqsti	Aamerikeli; britaneli
Mmonacemi/TariRi	1860(Seqmnis weli)
aRwera	Hhandsonis mdinaris xeobis es monumenturi xedi, avtoris gadmocemiT Sesrulebulia londonis samxatvro saxelosnoSi (studiaSi). Hhandsonma daiWira momgebiani pozicia handsonis samxreT-aRmosavleTi xedisa da samefo mTebis kalTebis  aRweriT. Suratis wina planze moCans mdinaris dineba,sadac aris sami monadire Tavisi ZaRlebiT Soreuli mzis naTebis fonze. mTeli Senakadis fonze asaxulia adamianebis mSvidobiani Tanaarseboba bunebasTan. (bunebaSi): patara xis qoxi, saZovarze gafantuli cxvari, xidze moTamaSe bavSvebi da wyalSi mSvidad mdgari saqoneli(Zroxebi). Aaq yuradrebas ibyrobs adamianebis harmoniuli Tanaarseboba bunebasTan. sinamdvileSi ki bunebis landSaftis fonze aRwerilia ubralo adamianebis cxovrebis (agrokulturuli) suraTi,realoba. Kkrospei xatavda brwyinvale amerikul nacionalizms.
aRwera	Semodgoma,-handsonis mdinareze /j.f krospei/ londoni 1860
adgilmdebareoba	xelovnebis nacionaluri galerea(vaSingtoni, kolumbia, SeerTebuli Statebi) 1961.9.1
Mmateria/nivTiereba	zeTi Sesrulebuli tiloze
zomebi	151.8 sm (simaRle) X 274.9 sm (sigane, CarCos garSemoweriloba)
urTierToba,kavSiri/relacia
ufleba
wyaro	Core 4 Sample Database (VCat) [source, description] National Gallery of Art, Washington [website]; http://www.nga.gov/home.htm (accessed 5/30/2009)
gamocema
stilis periodi H	Hhadson riveris skola; mecxramete saukune
Tema, siuJeti,Sinaarsi	Aagrokultura; cxovelebi; Sinameurneoba; stili; landSafti; Hnadirobis xelovneba; mdinareebi; Hudsonis mdinare; Semodgomis vioaJi ; xeebi; mTebis kalTebi;
teqnika	zeTiT xatvis teqnika
gadateqstireba
saTauri	Semodgoma hadsonis mdinareze
samuSao tipi	Fferwera(vizualuri samuSao); zeTiT ferwera(vizualuri samuSao)

Aagenti
Kkulturuli konteqsti
Mmonacemi/TariRi
aRwera
aRwera
adgilmdebareoba
Mmateria/nivTiereba
zomebi	8 kb
urTierToba,kavSiri/relacia	[imageOf 26, Core 4 Sample Database (VCat)]
ufleba	publicDomain
wyaro	VRA Data Standards Committee, Core 4 Sample Records [href] http://aal.ucsd.edu/vracore4/example011.html [source image] National Gallery of Art, Washington [website]; http://www.nga.gov/home. htm [href] http://www.nga.gov/fcgi-bin/tinfo_f?object=46474
gamocema
stilis periodi H
Tema, siuJeti,Sinaarsi
teqnika	digital imaging
gadateqstireba
saTauri	Overall view without frame
samuSao tipi	digital image

XML sqema

<vra xmlns="http://www.vraweb.org/vracore4.htm" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.vraweb.org/vracore4.htm http://www.vraweb.org/projects/vracore4/vra-4.0-restricted.xsd">

<work id="w_26" source="Core 4 Sample Database (VCat)" refid="26">

<agentSet>

<display>

Jasper Francis Cropsey (American painter, 1823-1900)

</display>

<notes/>

<agent>

<name vocab="ULAN" refid="500012491" type="personal">

Cropsey, Jasper Francis

</name>

<dates type="life">

<earliestDate>

1823

</earliestDate>

<latestDate>

1900

</latestDate>

</dates>

<culture>

American

</culture>

<role>

painter

</role>

</agent>

</agentSet>

<culturalContextSet>

<culturalContext>

American

</culturalContext>

</culturalContextSet>

<dateSet>

<display>

1860 (creation)

</display>

<date type="creation">

<earliestDate>

1860

</earliestDate>

<latestDate>

1860

</latestDate>

</date>

</dateSet>

<descriptionSet>

<description>

This monumental view of the Hudson River Valley was painted from memory in the artist's London studio. Cropsey adopted a high vantage point, looking southeast toward the distant Hudson River and the flank of Storm King Mountain. A small stream leads from the foreground, where three hunters and their dogs gaze into the sunlight. All along the meandering tributary there are signs of man's peaceful coexistence with nature: a small log cabin, grazing sheep, children playing on a bridge, and cows standing placidly in the water. Here, man neither conquers nor is subservient to nature; both coexist harmoniously. In fact, the landscape is depicted as a ready arena for further agricultural expansion. Cropsey's painting is a celebration of American nationalism.

</description>

</descriptionSet>

<inscriptionSet>

<display>

lower center: Autumn, -on the Hudson River / J. F Cropsey / London 1860

</display>

<inscription>

<author/>

<position/>

<text/>

</inscription>

</inscriptionSet>

<locationSet>

<display>

National Gallery of Art (Washington, District of Columbia, United States) 1963.9.1

</display>

<notes>

Gift of the Avalon Foundation

</notes>

<location type="repository">

<name type="geographic" vocab="other" refid="" extent="organization">

National Gallery of Art

</name>

<name type="geographic" vocab="TGN" refid="7013962" extent="inhabited place">

Washington

</name>

<name type="geographic" vocab="TGN" refid="7015717" extent="department; district">

District of Columbia

</name>

<name type="geographic" vocab="TGN" refid="7012149" extent="nation">

United States

</name>

<name type="geographic" vocab="TGN" refid="1000001" extent="continent">

North and Central America

</name>

<refid type="accession">

1963.9.1

</refid>

</location>

</locationSet>

<materialSet>

<display>

oil paint on canvas

</display>

<notes/>

<material/>

</materialSet>

<measurementsSet>

<display>

151.8 cm (height) x 274.9 cm (width, without frame)

</display>

<notes/>

<measurements type="height" unit="cm" extent="without frame">

151.8

</measurements>

<measurements type="width" unit="cm" extent="without frame">

274.9

</measurements>

</measurementsSet>

<sourceSet>

<display>

National Gallery of Art, Washington [website]; http://www.nga.gov/home.htm (accessed 5/30/2009)

</display>

<notes/>

<source/>

</sourceSet>

<stylePeriodSet>

<display>

Hudson River school; Nineteenth century

</display>

<stylePeriod vocab="LCSAF" refid="sh 85091984">

Nineteenth century

</stylePeriod>

<stylePeriod vocab="GAO">

Hudson River school

</stylePeriod>

</stylePeriodSet>

<subjectSet>

<display>

agriculture; animals; domestic life; genre; landscapes; Hunting in art; Rivers; Hudson River; autumn foliage; trees; leaves; Fall

</display>

<notes/>

<subject>

<term type="iconographicTopic" vocab="LCSAF" refid="sh 85063138">

Hunting in art

</term>

</subject>

<subject>

<term type="descriptiveTopic" vocab="LCSAF" refid="sh 85114250">

Rivers

</term>

</subject>

</subjectSet>

<techniqueSet>

<display>

oil painting (technique)

</display>

<notes/>

<technique vocab="AAT" refid="300178684">

oil painting (technique)

</technique>

</techniqueSet>

<titleSet>

<display>

Autumn - On the Hudson River

</display>

<title type="repository" pref="true" xml:lang="en">

Autumn - On the Hudson River

</title>

</titleSet>

<worktypeSet>

<display>

paintings (visual works); oil paintings (visual works)

</display>

<worktype vocab="AAT" refid="300033799">

oil painting (visual work)

</worktype>

</worktypeSet>

</work>

<image id="i_129" href="http://aal.ucsd.edu/vracore4/example26.html" refid="129" source="VRA Data Standards Committee, Core 4 Sample Records">

<measurementsSet>

<display>

18 MB

</display>

<notes/>

<measurements/>

</measurementsSet>

<relationSet>

<relation type="imageOf" refid="26" source="Core 4 Sample Database (VCat)"/>

</relationSet>

<rightsSet>

<display>

publicDomain

</display>

<rights/>

</rightsSet>

<sourceSet>

<display>

National Gallery of Art, Washington [website]; http://www.nga.gov/home.htm

</display>

<source>

<name/>

<refid type="URI">

http://www.nga.gov/home.htm

</refid>

</source>

</sourceSet>

<techniqueSet>

<display>

digital imaging

</display>

<notes/>

<technique/>

</techniqueSet>

<titleSet>

<display>

Overall view without frame

</display>

<title type="generalView">

Overall view without frame

</title>

</titleSet>

<worktypeSet>

<display>

digital image

</display>

<notes/>

<worktype/>

</worktypeSet>

</image>

</vra>

 es standarti sakmaod waratebiT ganxorcielda, mas rogorc zemoT aRvniSneT iyenebs kongresis biblioTeka.

Aarsebobs xelovnebis nimuSebis aRweris kidev erTi standarti, romelsac amerikis biblioTekebis asociacia uwevs sponsorobas, magram is ufro gankuTvnilia biblioTekebisTvis da ara muzeumebisTvis, Tumca mas aqtiurad iyenebs iseTi cnobili muzeumi rogoric aris geTi.   rogorc viciT Salva amiranaSvilis saxelobis muzeums aqvs xelovnebis biblioTeka da fotoTeka. aRweris es standarti man SeaZloa swored am obieqtebze mimarTos. saubaria katalogizaciis kulturul obieqtze CCO- Cataloging Cultural Object.

katalogizaciis kulturuli obieqti

Cataloging Cutural Objekt (CCO)

Kkatalogizaciis kulturuli obieqti (CCO) VRA core-is da CDWA msgavsad aris Sesrulebuli TemebiT, romelic aRwers xelovnebis nimuSebs, arqiteqturas da kulturul artefaqts, (kulturuli artefaqti aris uZvelesi xanis admianis materialuri da kulturuli naSTebi) da am faqtebis (saqmianobis) suraTebs. radgan VRA core da CDWA qmnis siebs da aRwers elementebs da kategoriebs monacemebis elementebis nakrebisaTvis, msgavsad AACR2 Dda      DASC-isa CCO aris standartuli Sinaarsi, romelic aRniSnavs  monacemebis mniSvnelobas da Canawerebis sazRvars, sintaqss da formis mniSvnelobas, romelic Sevida romelime monacemis struqturaSi. CCO koncentrirebas axdens kargi katalogizaciis principebze da dokumentaciebze da ara mkacr wesebze.

CCO aris dayofili sam nawilad

Nnawili pirveli, saerTo (generaluri) direqtivebi, ra niSniT aris katalogizirebuli (anawilebs , aTanxmebs im gamocemebs, romelTa gaerTianebiTac moxda karalogizacia) ra aris nimuSi (namuSevari) da ra aris suraTi, urTierTmimarTeba nimuSebsa da suraTebs Soris, katalogis specifikacia, gansakuTrbuli da amomwuravi katalogizireba, aseve urTierTmimarTebis ramdenime tipi romelic SeiZleba iyos daxazuli. CCO ar ganixilavs administraciul da teqnikur metamonacemebs. Piveli nawili ZiriTadad moicavs monacemTa bazis daSifvris standarts.

Nnawili meore- elementebi, romlebic dayofilia Tavebad: obieqtis saxelis darqmeva, informaciis Semqmnelze (avtorze) , fizikuri damaxasiaTebeli niSan-Tvisebebi; stilisturi, kulturuli da qronologiuri informacia, adgilmdebareoba da geografia, subieqti (sagani), klasi, aRweriloba da informaciis xedva anu vizualuri informacia. TiToeul Tavs (Temas) aqvs arwerili( ganxiluli) cnebebi, am TemasTan dakavSirebuli elementebis wesebi da monacemebis Cvenebis(prezentaciis) gzebi. igulisxmeba monacemebis ekranze gamotana da indeqsireba.

Nnawili mesame- moicavs, faravs  personaluri da korporaciuli saxelebis vels(jgufs), geografiul adgils, cnebes da subieqtebs( sagnebs, Temebs, siuJetebs). ganvixiloT magaliTi:

Saskia Ltd. Cultural Documentation

nimuSis Canawei

klasi [controlled]: • ferwera  • evropuli xelovneba

*samuSao tipi [link]:  • mxatvroba(ferwera)

*saTauri/saxeli: “axalgazrda kacis portreti”

*Semqmneli/avtori:   agnolo bronzino (Italian, 1503-1572)

*roli [link]: mxatvari [link]:  bronzino agnolo   

*Seqmnis TariRi: 1530s  [controlled]: • adreuli: 1530  • gviani: 1539

*subieqti [links]:  .  portreti • figura   •  mamakaci • samefo karis mkurnali         •literatura

stili [link]: Mannerist

kultura [link]: italiuri

*geografiuli mdebareoba [link]: Metropolitan Museum of Art (New York, New York, United States)  • ID: 29.100.16

*zomebi: 95.6 x 74.9 cm (37 5/8 x 29 1/2 inches)

[controlled]:

 • katalogis done: 95.6 Unit: cm Type: height  |  • Value: 74.9 Unit: cm Type: width

*materia da teqnika:   zeTi

Material [links]:  • oil paint  • panel (wood)  Technique [links]: • painting

aRwera : tipiuri florencieli medikosi,romelic gamoirCeva gansakuTrebuli eleganturobiT, TviTdajerebulobiTa da simkacriT. Ees xazs usvams imas, rom is aris ganaTlebuli sazogadoebis wevri da dainteresebulia literaturiT.

aRweris wyaro; [link]: Hibbard, Howard. Metropolitan Museum of Art. New York: Harrison House, 1986.

ixileT: http://www.vraweb.org/ccoweb/cco/example5.html

rogorc vxedavT aRwerilobis es forma VRA Core 4.0-Tan SedarebiT mcirea da informacia ar aris siRrmiseuli. aRwerilia mxolod suraTi. kargi iqneboda moyvebodes digitilizebuli suraTis aRweriloba ise rogorc VRA Core 4.0-is magaliTSia. AaRweris wyaros monacemebi Zalian mwiria da Cven ar SegviZlia misi gadamowmeba, radgan ar aris miTiTebuli oficialuri eleqtronuli gverdi.(gansxvavebuli tipis monacemebi aRniSnulia feradi SriftiT)

MmuzeumebisTvis ukeTesi variantia aRwerilobis CDWA standarti romelic geTis muzeumma daamuSava da aqtiurad iyeneben msoflios cnobili muzeumebi. gavvixiloT es standarti da SevadaroT winmderare standartebs.

xelovnebis nimuSebis aRwerilobis kategoriebi (CDWA)

Categories for the Description of Works of Art (CDWA)

xelovnebis nimuSebis aRweris kategoriebi (CDWA) aris sxva metamonacemebis elementi, romelic VRA cori-is msgavsad gamoiyeneba imisaTvis,  rom aRweros da miawodos momxmarebels informacia xelovnebis nimuSebis, arqiteqturuli da sxva meterialur- kulturuli namuSevrebis Sesaxeb. CDWA A-moicavs 512 kategorias da sub-kategoriebs. aqedan 36 kategoria da sub-kategoria ukavSirdeba core-s romelmac moiTxova nimuSebis aRweris erTaderTi (unikaluri) da zusti (araorazrovani) gza. CDWA core kategoria dayofilia 6 jgufad.

1. sagani (obieqti, mizani), arqiteqtura an jgufi(romelic kidev CaSlilia detaluri monacemebisTvis.

am kategoriis pirveli jgufis qvejgufia:

2.dakavSirebuli teqstualuri cnobebis jgufi (veli)

3.Semqmnelis identificirebis jgufi (veli)

4.adgilis/mdebareobis veli

5.genetikuri kuTvnileba

6.subieqtis (Tema, siuJeti, Sinaarsi) veli

CDWA iseve rogorc VRA Core rekomendacias uwevs XML-is daSifrul(kodirebul) Canawerebs da iqna ganviTarebuli XML-is sqemisagan saxelwodebiT “CDWA Lite”.

rogorc vxedavT VRA Core-is CCO-sa da CDWA-s monacemTa kategorieri erTmaneTs gavs, magram CDWA-s monacemTa velSi CaSlilia dawvrilebiTi informacia romelsac moyveba SeniSvnebi, citireba da damowmebuli gverdi, veb gverdi. Ees informacia vfiqrob sasargebloa da mkvlevarebs aZlevs met saSualebas CaeZion namuSevris siRrmeebSi.Ggadaamowmon wyaroebi da moipovon maTTvis saWiro damatebiTi informacia. ganvixiloT magaliTi:

Object/Work	Catalog Level: item Type: painting	Controlled list Authority
Classification	Terms: paintings             European Art	Controlled list
Titles or Names	Text: Irises     Preference: preferred     Type: repository     Language: English Text: Les Iris     Preference: alternate     Language: French Text: Piante di iris     Preference: alternate     Language: Italian Text: Die Irisse     Preference: alternate     Language: German Text: Irysy     Preference: alternate     Language: Polish Text: Irissen     Preference: alternate     Language: Dutch	Free text Controlled lists
Creation	Creator Description: Vincent van Gogh (Dutch, 1853-1890, active in France)	Free text
	Identity: Gogh, Vincent van Role: painter	Authority Authority
	Creation Date: 1889 Earliest: 1889  Latest: 1889	Free text Controlled format
	Creation Place/Original location: Saint Rémy de Provence (Provence Alpes Côte d'Azur, France)	Authority
Style/Period/Group/ Movement	IndexingTerms: Impressionist                     Post Impressionist	Authority
Measurements	Dimensions Description: 71 x 93 cm (28 x 36 5/8 inches)	Free text
	Value: 71 Unit: cm Type: height Value: 93 Unit: cm Type: width	Controlled format and Controlled lists
Materials and Techniques	Description: oil on canvas, applied with brush and palette knife	Free text
	Material Name: oil paint Role: medium Material Name: canvas Role: support Technique Name: impasto TechniqueImplement: palette knife Technique Implement: brush	Authority
Inscriptions/Marks	Transcription or Description: signed lower right: Vincent	Free text
Subject Matter	Indexing Terms:                        botanical                        nature                        irises                        regeneration                        soil	Authority
Descriptive Note	Text: This work was painted when the artist was recuperating from a severe attack of mental illness; it depicts the garden at the asylum at Saint Rémy. The cropped composition, divided into broad areas of vivid color with monumental irises overflowing the borders of the picture, was probably influenced by the decorative patterning of Japanese woodblock prints. There are no known drawings for this painting; Van Gogh himself considered it a study. His brother Theo recognized its quality and submitted it to the Salon des Indépendants in September 1889, writing to Vincent of the exhibition: "[It] strikes the eye from afar. It is a beautiful study full of air and life."	Free text
	Citation: J. Paul Getty Museum. Handbook of the Collections. Los Angeles: J. Paul Getty Museum, 1991. Page: 129	Authority Free text
Current Location	Repository Name/Geographic Location: J. Paul Getty Museum (Los Angeles, California, United States) Repository Numbers: 90.PA.20	Authority Free text
Exhibition/Loan History	Exhibition Title or Name: Salon des Indépendents of 1889	Free text
	Date: September 1889 Earliest: 1889-09-01 Latest: 1889-09-30	Free text Format controlled
Image credits: Vincent van Gogh (Dutch, 1853-1890); Irises; 1889; oil on canvas; 71 x 93 cm (28 x 36 5/8 inches); J. Paul Getty Museum (Los Angeles, California, USA); 90.PA.20. © The J. Paul Getty Trust. All Rights Reserved.

sxva magaliTebisTvis ixileT:

http://www.getty.edu/research/publications/electronic_publications/cdwa/examples.html

es aris sqema Tu rogor aris dakavSirebuli ZiriTadi monacemebis veli erTmaneTTan da obieqtis/nimuSis aRwerilobis CanawerTan.

Bbibliografia

Abstract:

The article deals with the use of the VRA Core 4.0 together with additional available processes and standards to produce a sound data structure within the local delivery system. With the development of the VRA Core 4.0 and the release of the companion XML schema for alpha testing, the metadata group decided to establish the Cornell implementation using the VRA Core 4.0. Because of the decision to use VRA Core 4.0 as the foundation of metadata structure for the projects, it is therefore necessary to critically revise methodologies for future projects.

Abstract:

The article focuses on VRA Core 4.0. The VRA-sponsored Cataloging Cultural Objects project and the emergence of extensible markup language (XML) as the data exchange format of choice were the two primary catalysts for revising VRA Core 3.0. The structural changes that have been made to VRA Core 4.0 were largely done to assist in the development of the XML expression of the Core. The VRA Core 4.0 XML schema has nineteen elements and twenty-three subelements that have attributes that serve to modify the value in the data element to make it more specific.

Abstract:

Conference papers about the history of the Visual Resources Association (VRA) and what the association has to offer at the time of its silver jubilee are presented. It describes VRA's beginnings which started with the provision of slide images to specific departments for educational purposes and evolved into one which included the development of image collections for institutions through the use of digital technologies. It says that VRA can offer holistic solutions for the use of presentation systems and various image-related software in schools.

Abstract:

Conference papers about strategies for transferring data as published in the Visual Resources Association's (VRA) publication "Cataloging Cultural Objects" (CCO) and the release of software VRA Core 4.0 are presented. It says that both come with a host of challenges for image collections including the transfer of data from item-level cataloging in a flat structure to a relational environment. The papers demonstrate cases that offer a variety of strategies ranging from small visual resources to large museums with a complex infrastructure.

Abstract:

The article discusses the history of the VRA Core Categories 4.0. In 1997, the VRA Core underwent its first important assessment with the VISION Project, a collaborative testbed conducted by the Research Libraries Group and the Visual Resources Association. Among other effects, the dissonant results of the VISION Project reinforced the concept that even the most perfect metadata scheme in the world would not guarantee efficient inputting and retrieval without some mutually shared sense of direction for the formatting and organization of data values.

Abstract:

The article discusses the author's experiences in working with Cataloging Cultural Objects (CCO) and VRA Core 4.0 in the design and implementation of a practical cataloging utility called VireoCat. According to the author, creating a cataloging utility is an excellent opportunity to extend personal skills and learn about database rnechanics at a deeper level, but not everyone has the time, money or interest to pursue these skills. XML plays a role in both CCO and VRA Core 4.0 in the understanding of "display" and "index" values.

Abstract:

The article discusses various new emerging metadata standards. At a Web site on the address, www.vraweb.org/CCOweb, there is a project of the Visual Resource Association (VRA). This is also responsible for the VRA Core 4.0 data structure or schema standard. The CCO is a new content standard for the visual and cultural resources community. The purpose of these standards is to provide a more standardized and international approach to cataloging both physical and digital visual and cultural objects. The cooperative cataloging and the impact of descriptive standards on interoperability is being given serious thinking now. As there is a lot of information about how CCO will work with VRA Core 4.0 and CDWA. There are no key projects currently available. Via a pulldown menu located in the upper right-hand corner of the Web page located at the address ww.vraweb.org/ccoweb/index.html, an excellent overview of current CCO developments was presented at the VRA 2004 conference in Portland and is available.

Abstract:

The article reviews the book "Cataloging Cultural Objects: A Guide to Describing Cultural Works and         Their Images," by Murtha Baca, Patricia Harpring, Elisa Lanzi, Linda McRae and Ann Whiteside.

 Abstract:

A review of the book "Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images," by Murtha Baca and others on behalf of the Visual Resources Association is presented.

Abstract:

The article reviews the book "Cataloging cultural objects: a guide to describing cultural works and their images," by Murtha Baca, Patricia Harpring, Elisa Lanzi, Linda McRae, and Ann Whiteside.